A reported book on fraud, theft, and deception in digital art today.
Share Your StoryTechnology promised transparency, access, and new models of ownership. It also exposed new forms of theft, fraud, and confusion.
Wallets are hacked. Works are copied and resold. Artists lose control of their output. Collectors discover they may not own what they thought they did.
These incidents are often treated as isolated cases. They are not.
Digital Art Crimes (and Misdemeanors) investigates how ownership becomes opaque when art moves into digital systems.
Drawing from firsthand accounts, interviews, and documented cases, the book examines how artists, collectors, and platforms navigate fraud, theft, and misuse in a rapidly evolving market.
The book focuses on real cases across two intersecting areas:
There is no comprehensive account of these incidents.
Stories circulate across social media, private conversations, and fragmented reports, but they are rarely documented, verified, or analyzed together.
This book aims to create a structured record of these cases and examine what they reveal about the future of art, ownership, and cultural value.
This project is currently collecting firsthand accounts from artists, collectors, and industry participants.
If you have experienced theft, fraud, misuse, or a dispute related to digital art, you are invited to contribute. Submissions may inform reporting, research, and potential inclusion in the book.
Elena Zavelev is a curator and educator working at the intersection of art and technology. She has led digital art initiatives across international fairs, Web3 platforms, and academic institutions, focusing on how artists, collectors, and organizations navigate a rapidly evolving digital market.